Carolina Sulis is a Brazilian visual artist and creative working across illustration, art direction, motion and 3D.
Her practice moves fluidly between manual and digital processes, where drawing often becomes the starting point for building visual narratives that shift between the tangible and the imagined.
Rather than separating disciplines, she approaches each project as an open field, where images can be constructed, deconstructed, and reinterpreted through different mediums and scales. With a background that bridges distinct fields, Carolina’s trajectory informs the way she observes and constructs images. Originally trained in nutrition, with a focus on food and culture, she later transitioned into the creative industry while living in Switzerland, where she worked within design studios and developed her practice across art direction, motion design and 3D.
Her practice moves fluidly between manual and digital processes, where drawing often becomes the starting point for building visual narratives that shift between the tangible and the imagined.
Rather than separating disciplines, she approaches each project as an open field, where images can be constructed, deconstructed, and reinterpreted through different mediums and scales. With a background that bridges distinct fields, Carolina’s trajectory informs the way she observes and constructs images. Originally trained in nutrition, with a focus on food and culture, she later transitioned into the creative industry while living in Switzerland, where she worked within design studios and developed her practice across art direction, motion design and 3D.
Now based in Rio de Janeiro, her work expands across different scales and formats, including illustration, visual identities, campaigns, and animated or three-dimensional pieces.
She has contributed to projects in fashion and editorial contexts, as well as independent and collaborative work, often navigating between conceptual development and execution.
Her practice is guided by context rather than style, with each project opening space for new visual languages, tools, and processes. Experimentation remains central, not as a phase, but as a continuous method.
She has contributed to projects in fashion and editorial contexts, as well as independent and collaborative work, often navigating between conceptual development and execution.
Her practice is guided by context rather than style, with each project opening space for new visual languages, tools, and processes. Experimentation remains central, not as a phase, but as a continuous method.